The Mapping Sculpture database , the outcome of a major three-year research programme conducted by The University of Glasgow, in partnership with the Victoria & Albert Museum and Henry Moore Institute , delivers the results of the first comprehensive study of sculpture between the Great Exhibition of 1851, and the Festival of Britain in 1951.
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The project can be summed up as an investigation of sculptural practice that aims to reveal the numerous personal and professional connections underlying the production of sculpture. The project's state of the art database provides the means of searching this complex web of connections.
There are over 50,000 records in the database. This wealth of information can be used to answer many questions and will also suggest many new avenues for further investigation.