A cheery start

Here at Cardiff Met we offer an MA in Death and Visual Culture and for staff and students of that course and all others interested in the subject here is a link to the wonderful Wellcome Institute Collection covering  their current exhibition 'Death: A self-portrait' which runs until 24 February 2013. Events associated with the exhibition including discussion days and a day of films about death are listed here

'(The) exhibition showcases some 300 works from a unique collection devoted to the iconography of death and our complex and contradictory attitudes towards it...  including art works, historical artefacts, scientific specimens and ephemera from across the world. '

On show are rare prints by Rembrandt, Dürer and Goya , anatomical drawings, war art and antique metamorphic postcards; human remains , Renaissance vanitas paintings and twentieth century installations celebrating Mexico’s Day of the Dead, ancient Incan skulls and a chandelier made of 3000 plaster-cast bones by British artist Jodie Carey.

The website also offers links including one to  'Stories from the Day hospice' a blog by Chrissie Giles who throughout the summer of 2012, spent time at the day hospice at Princess Alice Hospice, Esher, running a creative writing group. In a series of posts she reflects on her experiences there and showcases some of the writing produced by group members.

  You can also view three extraordinary skulls (two Mexican, one Japanese) from every angle as they revolve on screen.

A book 'Death a Picture Album' accompanies the exhibition.

Lecture series at the National Museum, Cardiff

Tim Davies, Drift, (video still, 2011) © Tim Davies

The National Museum Cardiff in partnership with the Art Fund is offering a series of three evening lectures with acclaimed international academics at the Reardon Smith Lecture Theatre.

 The first talk  called Wales at Venice  will be on Wednesday, 25 April 2012, 18:30–19:30
Speakers: David Alston, Merlin James, Laura Ford and Tim Davies

The Venice Biennale was established in 1895 and remains one of the most important and prestigious events in the international, contemporary art world. Since 2003 Wales has been independently represented as a devolved nation. For those artists who are chosen to exhibit it is a key international platform. This lecture explores Wales’s representation in Venice and also hears from three artists who have been selected to exhibit for Wales.
£4 with National Art Pass (full price £5)

Future lectures are John Piper (to accompany the current exhibition) on Wednesday, 9 May 2012, 18:30–20:30. The speaker will be  Professor Frances Spalding, CB. The third lecture will be The Influence of Josiah Wedgwood on Wednesday, 23 May 2012, 18:30–19:30 when the speaker will be Gaye Blake Roberts.

Open Educational Resources at UAL and MIT

There are many free resources on the Internet, we know this;  the ones known as  Open  Educational Resources: (OER's) comprise educational material that can be freely used by anyone without any copyright restrictions. An OER can be anything from a streamed video like this one showing the sand casting process to this link to an entire course on Anthropology

The sandcasting video, is from Process Arts, managed by Chris Follows at University of the Arts London (UAL)  c.follows@arts.ac.uk

Process Arts  focuses on "making" in art and design . This  site shows  insights into the acts of making and encourages users to share knowledge and experience online. You can  go there to explore  traditional and contemporary creative technical processes , and see work and the processes involved in its making online through  video, text, image and sound .

sample stills sequence

here are the most viewed items from Process Arts. Look to the right of the page for a full list of Resources

Interesting courses including bibliographies, online texts and images etc  are available from the MIT site where the Anthropology course linked above was taken from. Courses include many other subject areas of interest such as media studies, history, literature, music and theatre arts, women's and gender studies. MIT is the Massachusetts Institute of Technology whose mission  is "to advance knowledge and educate students in science, technology and other areas of scholarship that will best serve the nation and the world in the 21st century".

Materials are Poetic: Mtrl

holographic glass

In order to reach out to the design community, ASM, a US-based Materials Information Society, has set up /MTRL. Chris Lefteri Design was commissioned to provide a range of materials from the ASM collection, complete with extensive information and images, as a free on-line material database . So far, the database consists of 250 materials presented in a way that specifically targets designers and their needs.

I've seen many image databases in my time and  this one is a real find and especially useful as all our courses at Cardiff become  increasingly concerned with the physical  experiences of Materials and Making.

Mtrl is great fun and at the same time hugely informative. It is  crammed with well organised images and facts about materials and their properties. Here you can choose to search for images and information about materials by their 'form' (eg firm, powder, resin) 'personality' (eg dynamic , extreme, honest ), different types of ceramic, glass, plastic etc etc etc. It includes a section listing an unbelievable amount of 'additives and ingredients' (Floam anyone?).

Lightben transparent honeycomb core panel

It is  a lot more entrancing and unusual than you might expect of a materials database and is  at the same time of immense practical use. The database offers links from each type of material in the database to suppliers and also  gives  its eco standing (biodegradable/recyclable/renewable?)), its key features, all physical features,  its price range, major applications for use and  engineering properties. A veritable  alchemists shopping list..........

Save the Wedgwood Museum

The Wedgwood Museum has been listed by UNESCO as one of world's top 20 cultural assets. In the Unesco register, the museum's archive now sits alongside objects such as the Bill of Rights, which is the closest document that Britain has to a written constitution as well as a copy of King Charles I's death warrant.

But the Museum is due to be broken up and sold off to pay £134m pension deficit after a high court judgment in December. As well as thousands of ceramics produced by Josiah Wedgwood, the museum, which opened in 2008, boasts an archive of more than 100,000 documents and manuscripts, and masterpieces by Stubbs, Romney and Reynolds. Such is the collection's historic significance that questions will be asked in parliament this month.

The high court ruled that the collection was an asset of Waterford Wedgwood Potteries, which went bust in 2009, and could therefore be sold to pay off their creditors, the largest of which is the Pension Protection Fund.

Members of the Wedgwood family wrote a letter to the Telegraph this weekend they write:

"....We will now have to raise money to buy the very pieces of history that our family, together with employees and museum supporters worldwide, donated with the intention that they would be on display for the nation…"

Last month John Caudwell, the billionaire founder of Phones4U, the mobile phone retailer, said he would act as a lender of last resort to the museum.
He warned the act would not be “pure philanthropy” and would have “strings”.

The case is being reviewed by Dominic Grieve, the Attorney General, who is expected to decide before the end of the month whether to seek leave to appeal in the case. Tristram Hunt, the television historian and a MP for Stoke, the home of the museum, is meeting with Mr Grieve this week to discuss the case.
Campaign to save the Museum is here